| Cinema Paradiso - Remake (1990)
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| Front Cover |
Actor |
Back Cover |
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| Philippe Noiret |
Alfredo
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| Salvatore Cascio |
Salvatore (Child)
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| Marco Leonardi |
Salvatore (Adolescent)
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| Antonella Attili |
Maria (Young)
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| Jacques Perrin |
Salvatore (Adult)
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| Agnese Nano |
Elena (Adolescent)
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| Pupella Maggio |
Older Maria
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| Brigitte Fossey |
Elena
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| Enzo Cannavale |
Spaccafico
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| Isa Danieli |
Anna
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| Leo Gullotta |
Usher
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| Leopoldo Trieste |
Father Adelfio
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| Tano Cimarosa |
Blacksmith
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| Plot |
| Like Star Wars , E.T. , and other movies that have been trifled with at their peril, a very different kind of film gets "corrected" with the arrival of Cinema Paradiso: The New Version , an update of Miramax's Cannes darling and Best Foreign Film winner. Unfortunately, the same motive of squeezing out a few extra dollars applies here as well, even if it's disguised as a restoration of the director's vision, rather than what it actually is: a compromise of the film's effectiveness. If this was Giuseppe Tornatore 's original cut, it seriously calls into question the director's judgments as an artist. The importance of a judicious editor comes into sharp relief during this new three-hour version, which leaves the repeat viewer longing for the brisk pace of the original, and the first-timer grappling with why the film is so revered. The extra 51 minutes of footage bloat the previously poignant third act, drawing it out interminably and deadening its wonder. What made the ending of Cinema Paradiso so bittersweet is that it did not attempt to solve the riddles of lost love, which rarely get sorted out in real life. By providing an unjust and unwarranted explanation of the lovers' tragic separation, as well as a new epilogue, Tornatore brings his tale of nostalgic history thudding into the present tense. He also reverses the understanding of key characters, their motivations, and the ultimate vindication of their actions. The mostly untouched first two acts still burst with the joie de vie of a small town invigorated and transformed by its communal love of cinema. But the last hour squanders the contagious momentum of the previous two, doing crucial damage to the emotional closing scene, a defining moment that has rightly assumed classic status. Instead of catharsis, the end now elicits a sensation that's regrettably contrary to that: relief. — Derek Armstrong |
| Movie Details |
| Genre |
Drama; Foreign; Romance |
| Director |
Giuseppe Tornatore |
| Producer |
Mino Barbera; Franco Cristaldi; Giovanna Romagnoli |
| Writer |
Vanna Paoli; Giuseppe Tornatore |
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| Studio |
Titanus Produzione |
| Country |
Italy
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| Language |
Italian |
| Audience Rating |
R |
| Running Time |
173 mins |
| Movie Release Date |
2/23/1990 |
| Color |
Color |
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| Personal Details |
| Format |
DVD |
| Seen It |
Yes |
| Index |
74 |
| Collection Status |
In Collection |
| Purchase Date |
12/20/2003 |
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| Product Details |
| Region |
 Region 1 |
| Screen Ratio |
 1.66:1 |
| Layers |
Dual Side, Dual Layer |
| UPC (Barcode) |
786936204018 |
| Chapters |
38 |
| Release Date |
2003 |
| Subtitles |
English |
| Packaging |
Keep Case |
| Audio Tracks |
 FRENCH: Dolby Digital Surround
 ITALIAN: Dolby Digital 5.1
ITALIAN: Dolby Digital Surround |
| Nr of Disks/Tapes |
1 |
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Extra Features
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| Closed-captioned Widescreen Dolby |
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